Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts
Wednesday, June 13, 2012
frohawk two feathers we buy gold, we buy everything, we sell souls,
will be on view from june 21- september 9, 2012
at mca denver
the museum’s hours will be extended until midnight
friday, june 22
the show will feature more than 20 paintings
works on paper and sculpture
opens thursday june 21
6 pm for members and 8pm for non-members
with special events surrounding the summer solstice
including a performance with Superdeluxe
featuring umar rashid and micah james.
Friday, February 24, 2012
os gemeos at prism
Os Gemeos, Miss You
February 25 – March 24, 2012
PRISM
8746 W. Sunset Boulevard
West Hollywood, CA 90069
February 25 – March 24, 2012
PRISM
8746 W. Sunset Boulevard
West Hollywood, CA 90069
mtendere mandowa
TEEBS: S P C D
THE ROLL UP GALLERY AT PUBLIC WORKS
161 ERIE ST (@ MISSION), SAN FRANCISCO
OPENING RECEPTION FRIDAY FEBRUARY 24, 2012/ 6-9PM
THE ROLL UP GALLERY AT PUBLIC WORKS
161 ERIE ST (@ MISSION), SAN FRANCISCO
OPENING RECEPTION FRIDAY FEBRUARY 24, 2012/ 6-9PM
Monday, October 17, 2011
nicholas krushenick
fascinating
the way your
feelings
can begin to manifest
into
sight.
been really feeling
nicholas krushenick
(an early part of the
pop art movement in new york
and part owner of brata gallery & proud high school dropout ;)
for about a year now...
after regularly seeing
a few of his pieces
at the hospital throughout
last year.
his work charms
my spirit
before my extended
home away from home
experience at cedars
i rarely ever saw examples
of his work...
but now he seems
to be all over my sight line
thank you mr. krushenick
if you are in new york
you can catch a retrospective of
his work at gary synder gallery
lucky you.
the way your
feelings
can begin to manifest
into
sight.
been really feeling
nicholas krushenick
(an early part of the
pop art movement in new york
and part owner of brata gallery & proud high school dropout ;)
for about a year now...
after regularly seeing
a few of his pieces
at the hospital throughout
last year.
his work charms
my spirit
before my extended
home away from home
experience at cedars
i rarely ever saw examples
of his work...
but now he seems
to be all over my sight line
thank you mr. krushenick
if you are in new york
you can catch a retrospective of
his work at gary synder gallery
lucky you.
Friday, August 12, 2011
the soft machine
Alluding to
the William S Burroughs
novel, Soft Machines
is an ambitious
group exhibition
of artists
exploring
the influence
and effects
of control mechanisms
on one's psychological
and physical disposition.
Stuart Brisley
Kathryn Garcia
Anthony Keith Giannini
Kate Gilmore
Tim Hawkinson
Liz Magic Laser and Anna Ostoya
Lovett/Codagnone
Adam Pendleton
Paul Pfeiffer
Ma Quisha
Holton Rower
Sterling Ruby
Kiki Smith
The show closes August 26th.
The Pace Gallery
32 East 57th Street
New York City, NY 10022
the William S Burroughs
novel, Soft Machines
is an ambitious
group exhibition
of artists
exploring
the influence
and effects
of control mechanisms
on one's psychological
and physical disposition.
Stuart Brisley
Kathryn Garcia
Anthony Keith Giannini
Kate Gilmore
Tim Hawkinson
Liz Magic Laser and Anna Ostoya
Lovett/Codagnone
Adam Pendleton
Paul Pfeiffer
Ma Quisha
Holton Rower
Sterling Ruby
Kiki Smith
The show closes August 26th.
The Pace Gallery
32 East 57th Street
New York City, NY 10022
Thursday, April 14, 2011
to japan: from la with love
this saturday
will begin
a three week
art and fashion
event to raise
funds to send to
japan
it's been an
wonderful
challenge to
bring this to
fruition
i have been
overwhelmed
by the outpouring
of help we have
received from the
los angeles community
we are heading into
day two of installation
and there is so much amazing
artwork
this saturday we will
be showing a newly
remastered version
of kurasawa's classic
film rashomon at 8pm
please join us
will begin
a three week
art and fashion
event to raise
funds to send to
japan
it's been an
wonderful
challenge to
bring this to
fruition
i have been
overwhelmed
by the outpouring
of help we have
received from the
los angeles community
we are heading into
day two of installation
and there is so much amazing
artwork
this saturday we will
be showing a newly
remastered version
of kurasawa's classic
film rashomon at 8pm
please join us
Thursday, March 3, 2011
interviewing: frohawk two feathers
here is
a little
interview
i did
with
frohawk two feathers
for our fall 2010
catalog
I know most people probably don’t know that originally you studied to be a photographer, what was the path that led you to painting?
I started to realize how much my ideal job as a portrait photographer would cost (and suck) so I decided to take the path less traveled.
Over the years your combination of portrait photography and painting has evolved into an extremely involved narrative. Can you explain to us the premise behind the story and where we are presently?
Great question. Much like my decision to move from photography to painting, the body of work that I’m creating now started with woolly mammoths and is currently in 18th century Europe. I started my story with a story about a woolly mammoth from outer space and that turned into a twisted tale of a young Inuit boy and an adolescent (female) harp seal. Then that turned into a eco-conscious tale about the same Inuit boy in the Age of Exploration, fighting against human empires, penguin empires and aliens to preserve his land, and culture. And later on as a lover of history and anthropology, I decided to rewrite the 17th to 19th centuries. Currently we are in the 18th century during the 50 Years War or The Greater Baltic Conflict.
How do you choose your subject matter?
I choose my subject matter by the things that I like and current events. For example, right now I’m really into crocodiles, the Maghreb and ancient Egypt, so I synchronized all three into an elite fighting force called the ‘Company Crocodile’ that wear North African style fezzes and ride (only Barb) horses and dromedaries, tattoo their faces, and worship Sobek, the Egyptian crocodile god. And I really like celebrity gossip magazines so anything can happen.
You are also involved in a few musical side projects. One of your many aliases is the rapper known as Hi Fidel. When did you start rapping and how? When was Kent Cyclone born and where in the world did he come from?
I started rapping seriously when I was 15 years old (33 now so I’ve been in the game for a minute bitches) I’ve put out two records on F5 Records under (yet another alias) Hi-Fidel with DJ Crucial and I’m currently working on the follow up album to the Friday Night project with my buddy Serengeti and The Breakfast Kings, entitled Saturday Night. I’m also recording a record for my next opening entitled ‘Crocodile Company’ Kent, on the other hand is an entirely different beast. I created Kent Cyclone with my friend David Lohman a.k.a Blowdog in the late 90’s at Southern Illinois University. We wanted to enter the annual Battle Of The Bands and be all Dada like. I got booed but in the booing (expected) I discovered that if you provoke people and do it with a modicum of charm, they will at least listen to what you’re saying before they tell you to fuck off. As of today, my partner, Peggy Sue-Nami and I are recording a new album about relationships. It should be quite funny and entertaining. We hope.
Congratulations on recently becoming a father. Has it affected your work in any way?
Thank you. Being a dad is great. And I can honestly say that the biggest influence this has had on me is, now I can teach my daughter how to avoid my steps and become a scientist, engineer, or something that pays off right away.
What has your experience been like working with 2K By Gingham?
Working with 2k was a dream a few years back and now it is a reality. So I will say that it is quite pleasant and I feel good to be surrounded by some of the most brilliant and creative people on the planet.
Anything new you’ve been collecting?
Due to diaper costs I unfortunately haven’t been purchasing much art but I do have my eye on a few people. And here they are, Katsuo Design, Noah Davis, Augustine Kofie, Henry Taylor, Frau Grau and Jeana Sohn. I want!
What is your dream project/ collaborator?
The big dreamers with the bright ideas and a tireless work ethic.
Do you have a favorite project that you’ve worked on?
The Company Crocodile. My latest work that involves a group of marooned slaves that fight for the Frenglish Empire to be able to own land and be self-governing, self sufficient. That’s where I want to be.
How long have you lived in Los Angeles and what are the best things about being here?
LA is still growing on me after a decade of residence but I don’t care where I am as long as I can be close to a large body of water. The thing I love most is transience.
a little
interview
i did
with
frohawk two feathers
for our fall 2010
catalog
I know most people probably don’t know that originally you studied to be a photographer, what was the path that led you to painting?
I started to realize how much my ideal job as a portrait photographer would cost (and suck) so I decided to take the path less traveled.
Over the years your combination of portrait photography and painting has evolved into an extremely involved narrative. Can you explain to us the premise behind the story and where we are presently?
Great question. Much like my decision to move from photography to painting, the body of work that I’m creating now started with woolly mammoths and is currently in 18th century Europe. I started my story with a story about a woolly mammoth from outer space and that turned into a twisted tale of a young Inuit boy and an adolescent (female) harp seal. Then that turned into a eco-conscious tale about the same Inuit boy in the Age of Exploration, fighting against human empires, penguin empires and aliens to preserve his land, and culture. And later on as a lover of history and anthropology, I decided to rewrite the 17th to 19th centuries. Currently we are in the 18th century during the 50 Years War or The Greater Baltic Conflict.
How do you choose your subject matter?
I choose my subject matter by the things that I like and current events. For example, right now I’m really into crocodiles, the Maghreb and ancient Egypt, so I synchronized all three into an elite fighting force called the ‘Company Crocodile’ that wear North African style fezzes and ride (only Barb) horses and dromedaries, tattoo their faces, and worship Sobek, the Egyptian crocodile god. And I really like celebrity gossip magazines so anything can happen.
You are also involved in a few musical side projects. One of your many aliases is the rapper known as Hi Fidel. When did you start rapping and how? When was Kent Cyclone born and where in the world did he come from?
I started rapping seriously when I was 15 years old (33 now so I’ve been in the game for a minute bitches) I’ve put out two records on F5 Records under (yet another alias) Hi-Fidel with DJ Crucial and I’m currently working on the follow up album to the Friday Night project with my buddy Serengeti and The Breakfast Kings, entitled Saturday Night. I’m also recording a record for my next opening entitled ‘Crocodile Company’ Kent, on the other hand is an entirely different beast. I created Kent Cyclone with my friend David Lohman a.k.a Blowdog in the late 90’s at Southern Illinois University. We wanted to enter the annual Battle Of The Bands and be all Dada like. I got booed but in the booing (expected) I discovered that if you provoke people and do it with a modicum of charm, they will at least listen to what you’re saying before they tell you to fuck off. As of today, my partner, Peggy Sue-Nami and I are recording a new album about relationships. It should be quite funny and entertaining. We hope.
Congratulations on recently becoming a father. Has it affected your work in any way?
Thank you. Being a dad is great. And I can honestly say that the biggest influence this has had on me is, now I can teach my daughter how to avoid my steps and become a scientist, engineer, or something that pays off right away.
What has your experience been like working with 2K By Gingham?
Working with 2k was a dream a few years back and now it is a reality. So I will say that it is quite pleasant and I feel good to be surrounded by some of the most brilliant and creative people on the planet.
Anything new you’ve been collecting?
Due to diaper costs I unfortunately haven’t been purchasing much art but I do have my eye on a few people. And here they are, Katsuo Design, Noah Davis, Augustine Kofie, Henry Taylor, Frau Grau and Jeana Sohn. I want!
What is your dream project/ collaborator?
The big dreamers with the bright ideas and a tireless work ethic.
Do you have a favorite project that you’ve worked on?
The Company Crocodile. My latest work that involves a group of marooned slaves that fight for the Frenglish Empire to be able to own land and be self-governing, self sufficient. That’s where I want to be.
How long have you lived in Los Angeles and what are the best things about being here?
LA is still growing on me after a decade of residence but I don’t care where I am as long as I can be close to a large body of water. The thing I love most is transience.
Monday, February 28, 2011
inside bleak
i wasn’t able to
get much as far as
photos go at the
opening night and being
that i only brought my phone
the quality is pretty terrible,
but here’s the few i was able to grab.
The show was massive
and truly exceptional.
clare has journeyed
into a realm of abstraction
and clarity that deepens the
narrative of her characters to
nearly audible levels.
even within the din of the opening scene
(it really was like a hollywood
installation encased within the show)
the monotony of domestic life
peppered with moments of
ease joy loss and loneliness
we all experience are
hauntingly recognizable.
for me the best moment of
the evening was when clare’s
folk singing self peggy honeywell
had us all
(art world elite, models,
bev hills gals in 6 inch stilettos
big hair and furs
mullet wearing hipsters
and me in my birth control glasses)
sitting on the floor to
quietly watch the lovely performance.
really my photo don’t
come near doing the work justice
(bordering on insulting)…
if you can go see the show for yourself, please do so.
get much as far as
photos go at the
opening night and being
that i only brought my phone
the quality is pretty terrible,
but here’s the few i was able to grab.
The show was massive
and truly exceptional.
clare has journeyed
into a realm of abstraction
and clarity that deepens the
narrative of her characters to
nearly audible levels.
even within the din of the opening scene
(it really was like a hollywood
installation encased within the show)
the monotony of domestic life
peppered with moments of
ease joy loss and loneliness
we all experience are
hauntingly recognizable.
for me the best moment of
the evening was when clare’s
folk singing self peggy honeywell
had us all
(art world elite, models,
bev hills gals in 6 inch stilettos
big hair and furs
mullet wearing hipsters
and me in my birth control glasses)
sitting on the floor to
quietly watch the lovely performance.
really my photo don’t
come near doing the work justice
(bordering on insulting)…
if you can go see the show for yourself, please do so.
Saturday, February 19, 2011
crocodile company, part I. la guerre des machettes danseuses
my dear friend
frohawk two feathers'
epic saga of the tales
of frenglish conquest
continues today
at taylor de cordoba
from 6-8
frohawk two feathers'
epic saga of the tales
of frenglish conquest
continues today
at taylor de cordoba
from 6-8
Saturday, December 25, 2010
Thursday, December 9, 2010
Friday, October 15, 2010
william lemon III
Wednesday, March 24, 2010
Wednesday, February 10, 2010
2K By Gingham presents 2THEWALL
i am
so so
very
super
excited
to show
you the flyer
for our 2K show
at New Image Art
please come and
say hello to me!
click on flyer to read
so so
very
super
excited
to show
you the flyer
for our 2K show
at New Image Art
please come and
say hello to me!
click on flyer to read
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